Review by Conall Cash (catabloguing.wordpress.com)
This short (64-minute), rather slight film, directed by the 100-year old Portuguese master Manoel de Oliveira, is one of the best things I’ve seen at MIFF this year. One particularly lovely scene actually brought some tears to my eyes – an increasingly rare kind of emotional response to be had in the environment of this festival where quick, authoritative judgements are the name of the game. My tears were inexplicable – brought on not by any tragic occurrence in the narrative but by the simple juxtaposition of a slowly tracking camera through the rooms of a house with a man’s voice reading from an old Portuguese text – and indeed so is the overall impact of the film. Continue reading