About

WHO ARE WE?

Generally, we’re a bunch of guys with a background in Cinema Studies and a love of films.

This blog was started by Brad Nguyen who you can hear voice his opinion on current cinema releases Wednesday mornings at 8.15 on 102.7 Triple R FM. Follow him on Twitter: bradnguyen.

James Douglas is a contributor to Screener.

WHAT IS THIS BLOG ALL ABOUT?

This blog is dedicated to the meaningful discussion of cinema. To that aim, this blog provides reviews, commentary on film news and a guide to cinema happenings around Melbourne, Australia.

This blog is not an arbiter of taste. Screener is not trying to set itself up as an authority on what is good and what is bad. Our aim is to provoke a conversation about cinema, not to assign values.

Star ratings are death to cinema appreciation. Walking out of Cinematheque’s screening of Au Revoir, Les Enfants, a man described the film he had just seen as ‘Very good. A four star film’. When cinema culture leads to people seeing such a film with such complex messages and all they get out of it is a numerical value, there is something very wrong.

Screener is interested in films in terms of what they do. Cinema at its best is an experience that changes your perspective and ideas about what it is to live in this world. Because it is ideas as results that are interesting, films will never be assessed on such mundane things as ‘quality of cinematography’, ‘tightness of script’, ‘quality of acting’, ‘entertainment value’. Screener is not so snobby. The gender performances in She’s the Man are potentially as interesting as those of an Almodovar film. Conversely, films that have the mark of ‘quality’ and do nothing, or reinforce dominant or regressive values, are looked upon with suspicion. The fetishism of Tarantino’s films are potentially as spiritually empty as that of the Sex and the City Movie.

Screener is perhaps pseudo-academic. This is for a reason. In terms to understand what a film does, or how it works, it often helps to have a theoretical framework or understanding of the context of the director’s past work. This is perhaps the goal of Screener reviews: to suggest one prism of thousands through which to read a film. So from time to time we’ll drop a few names like Laura Mulvey or whatever. Don’t judge. Embrace.

Screener believes (perhaps in an old-fashioned way) that there is something special about seeing films at the cinema. It’s a communal experience that we encourage by telling you about all the cool cinema stuff that happens around Melbourne. When it comes down to it, Screener believes in cinema as a community. And ideally, it’s a community based on the discussion of ideas and the broadening of understanding through the cinema rather than attaining cultural capital through the assertion of one’s taste.

Please read and share your enthusiasm or anger in comment form.